Years Of Creation
ALL
The figure's outline and hair are outlined with implicit brushstrokes, abandoning the complexity of excessive realism.
Integrating surreal and abstract thinking, it continues the exploration of “spiritual metaphor” and opens an implicit path for artistic expression.
The folds of the clothes naturally extend with the body posture, weakening distinct edges and blending hazily with the background.
The delicate collision between colors seems to tell: happiness and tiredness are inherently intertwined in the dim yet warm daily life.
Yet, they carry a stronger sense of the present, condensing the moment of the sun's scorching and the wind's blowing into touchable visual symbols.
Just as the charm of the night lies in providing a resting corner for the tired soul, allowing viewers to empathize with the tenderness and loneliness when alone in this small world.
They use a naive and simple formal language to break free from the rigid norms of the adult world and restore a purely fairy - tale visual perception.
However, it adds more of the unique thinness and sensitivity of youth, hiding the “loss” mood in the relaxed forms of the limbs and clothing.
The thick and thin rendering of colors is like the breath of emotions, spreading silent sighs in the gray space.
In short, it has planted a lot in my life.
The forms of the figure and painting tools are rendered with generalized brushstrokes.
They can explore the artistic expression of youthful tenderness together with Miss Zhang Xian.
The shapes of the figure and the guitar do not follow the path of precise realism.
The rich tones of the lining cloth contrast with the soft skin tones of the figures, adding a sense of life.
The fluffy texture of the hair, the subtle wrinkles of the hand, and the undulating texture of the clothing are all meticulously portrayed by the painter.
The curls of the hair, the undulations of the face, and the carvings of the base are all revealed under the brushstrokes.
The whole painting was completed in 30 minutes without any modifications.
In the content, the natural part and smooth texture of the figure’s hair strands are presented through color layers and brushstroke variations.
Silence becomes a necessary coat in a dank place.
Silence becomes a necessary coat in a dank place.
like the growth of lightning, like the growth of vine leaf veins.
The growth of emotions and love is like the growth of an embryo
A period of time, a life scene, a space. We are all used to storing something inside.
A period of time, a life scene, a space. We are all used to storing something inside.
In terms of composition, the arrangement of characters at different heights breaks the conventional balance, creating visual tension.
"Floating Forest" constructs a unique landscape through abstraction, exploring the fusion of nature and the soul through artistic expression.
The painting is painted with thin colors and is completed in one go.
It can be compared to Chagall's poetic reconstruction of reality in his works, interweaving real - world elements and illusory artistic conceptions
The animal beside her, the leaves in the background, and the yellow border echo each other, as if creating a nested "picture - in - picture" effect.
Placing the figure amidst hazy scenery creates a surreal, dreamlike atmosphere, inviting viewers to experience boundless reverie within a confined space. A concise layout conveys profound artistic conception.
Only then can we stabilize our sight and face the inner turmoil.
The people and natural objects in the painting form a stable order.
This tree is my simplification of "nature" and myself.
The Flax - haired Girl presents a touching portrait of youth to viewers with simple yet powerful artistic expression.
The profile pose with a glance over the shoulder resembles Bonnard's poetic capture of fleeting moments, elevating a mundane fragment into an artistic tableau.
What is recorded is a short dialogue between Xing'an Mountains, reindeer and people.
"The Pursuer's Fantasy" employs surreal brushwork to construct a fantastical and uncanny psychic realm.
Yuhua is a female artist from Kunming. She is a good friend of mine. This is a painting I created for her when I decided to leave Kunming for a long time.
Qin is my good friend, and this painting is also a parting gift. It is my first time to create a male figure painting.
This is the era I live in and the path that our peers in the same situation must take.
This is the era I live in and the path that our peers in the same situation must take.
This is the era I live in and the path that our peers in the same situation must take.
This is the era I live in and the path that our peers in the same situation must take.
This is the era I live in and the path that our peers in the same situation must take.
This is the era I live in and the path that our peers in the same situation must take.
This is the era I live in and the path that our peers in the same situation must take.
The regret of being done.
This is one of the few paintings I did without any resistance, and it was a natural success.
Now when I think back, I have forgotten what I wanted her to remember at that time.
The "passing of time" does not have any special meaning or emotion in the same scene day after day.
With its simplicity and elegance, the work is well-suited to private contemplative spaces, while also serving in public exhibitions as a “pause in rhythm,” offering viewers a moment of reflection.
Miss Lin
This is a portrait of a simple and lovely little girl, and I also let the painting method stay at the same moment.
It was rainy in October in Wuhan this year, and I went to meet a person in October here.
As I experienced the differences in my friends' lives, I also experienced the love they each built on their city lives.