Urban scene in architecture5

40 x 40 cmcollect

This painting was created in 2020, the year I just graduated from college and was in a period of transition. The subject matter and style of painting continued from my college days.

The reference pictures for the series "Urban scene in architecture" all come from selfies taken by several of my friends. My friends and I met in the early days of "urban construction," and when I painted them, they were all hastily building themselves along with the urbanization process. This is the era I live in and the path that our peers in the same situation must take.

Overall Size: /
Size without the frame: 40 x 40 cm
Country: China
Date: 2023
Materials: Oil paint on linen
Condition: well preserved

Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.

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Reference view

Regarding the content of the picture, the figure in the painting is seated sideways. The hair is naturally curly and dynamic, draping smoothly, adding a touch of vividness and softness to the picture. The painter has meticulously depicted the facial features of the figure. The eyes look to one side, as if filled with countless thoughts. The slightly open lips and the reddish complexion make the figure seem vividly alive.

In terms of composition, the figure occupies the main part of the picture. The background is treated in a simple way, without too many complex elements. This allows the viewers' attention to focus on the figure itself, highlighting its dominant position and creating a simple yet powerful visual effect.

In terms of color application, the overall color tone is relatively soft, mainly using low - saturation colors such as light gray, pale pink, and hazy blue. The background color is hazy and monotonous, contrasting with the rich skin - tone layers and the bright red lips of the figure. This not only creates a tranquil atmosphere but also emphasizes the facial features of the figure, making the figure more prominent in the picture.

The painting style leans towards expressive realism. The painter does not completely pursue photo - like precision but uses nimble and expressive brushstrokes to outline the figure's contours and shape the body. In the hair part, the texture and dynamics of the hair are shown through color stacking and the direction of the brushstrokes. On the face, delicate brushstrokes show the texture of the skin and the changes in light and shadow, reflecting the unique charm of painting.

In terms of emotional expression, the expression of the figure in the painting reveals a bit of calmness and contemplation, as if immersed in their own world. This implicit emotional expression triggers the viewers' curiosity and exploration of the figure's inner world.

Regarding similar artists, this painting has similarities with some portrait works of Lucian Freud. Both pay attention to conveying the spiritual temperament of the figure through brushstrokes and colors on the basis of realism. They do not deliberately pursue a perfect appearance but focus on capturing the instant true emotions and inner character of the figure, endowing the works with unique artistic appeal.