Years Of Creation
ALL
It is the only painting that I only treasure.
This is an acrylic figure portrait in the style of ink painting. The painting outlines the figure's form with agile and expressive lines. Despite the simple outline, the twists, turns, and variations in the thickness and lightness of the lines endow the shape with a unique rhythm.
The painting centers on the profile of a woman. Her closed - eye gesture is like a private spiritual monologue, conveying a sense of tranquility, introspection, and even a touch of dreaminess.
The focus is on a woman with her eyes closed, who seems to be immersed in her own spiritual world, becoming a bearer of emotions and thoughts.
This acrylic painting constructs a unique spiritual field through a fantastical and profound visual language. In the painting dominated by dark tones, the large - area pink - blue gradient on the left acts as a mysterious light band, shattering the gloom, as if the boundary between reality and surrealism.
This acrylic painting constructs a highly evocative spiritual scene. The large expanse of dark brushstrokes at the top resembles a surging tide of the spirit.
The picture takes rich dark blue as the main tone, and the whirlpool - like brushstrokes build a vast and mysterious space, like the starry river of the universe or a deep dream, capturing the viewer's sight. The warm - toned halo area in the center is the spiritual focal point.
In the lower part of the picture, the intertwined and twisted dark branches and lines are like the shackles of reality and the chaotic jungle of the spirit.
In the artwork, the dark, vertically - elongated forms resemble giant tree trunks or unknown passages.
The woman in the picture has long hair presented in a soft purple hue. The hair flows naturally, as if gently fluttering in the breeze.
The main subject of the picture is a bunch of flowers. The forms of the flowers are exaggerated and distorted, with thick black lines outlining their contours.
This painting uses a unique artistic language to outline a portrait full of emotional tension. The features and contours of the figure in the painting are distorted, and the color collisions are bold and impactful.
The oil painting shows that the woman in the picture undergoes surreal distortion in her facial features and contours, breaking free from the constraints of conventional human proportions and presenting a unique abstract aesthetics.
The pink vessel, as the main subject of the painting, showcases the unique aesthetic feeling of form composition through plane division and color gradation.
The figure in the painting presents a surreal visual effect through line deconstruction and color blending. The long hair is rendered with gradient colors such as pink and purple, like a flowing ribbon of emotions, twining around the head contour, demonstrating the richness of color layers.
The outline of the woman in the painting is presented through smooth outlining. By using gradient color blocks, it blends colors such as blue, purple, and pink, creating a hazy beauty of color blending, as if a layer of dreamy tulle is draped over the figure.
The figure in the painting has its outline precisely drawn with smooth lines, presenting the form of a slender neck and a simplified shoulder, demonstrating the artistic charm of shape refinement.
In the picture, the mountains and sky are presented through color layering. The blending of colors such as blue, purple, and green creates a hazy yet powerful atmospheric rendering, as if leading viewers into a dream - like alternate dimension.
The petals of the flower in the picture are rendered with gradient colors, showing the layers of blending colors such as white, pink, and purple.
The petals are created using the blending technique, softly presenting a gradient of pink and white. Delicate brushstrokes outline the texture of the petals, demonstrating the subtlety of form - shaping.
It turns loneliness into a poetic footnote — even among blooming flowers, a soul still seeks resonance.
The contrast between its smallness and the flower’s bigness is just like an individual being quietly enveloped by loneliness amidst the bustling spring flowers — even in the midst of beauty, the soul may still seek a quiet corner in the noise.
This design endows “autism” with a romantic interpretation, turning loneliness into a unique posture for the soul to communicate with the world.
Its existence breaks the lightness of the flower branches and the haziness of the background, forming a form contrast. It seems to build a lonely barrier amidst the noisy vitality of spring.
In the picture, colors serve as carriers of emotions. The collision of red and blue, purple and green, through color juxtaposition, creates a strong visual tension, as if telling the complex emotional conflicts within.
It's a pity.
Through transparent overpainting, it becomes a symbol of the symbiosis between nature and the soul, interpreting the integration of life and beauty.
completing a deep decoding of the “fluttering” theme in the dialogue between colors and lines.
The ink - colored rendering of the long hair, using the wet - on - wet technique, creates a dense and lingering heaviness, like accumulated thoughts, becoming a dual anchor for both vision and emotion.
In the interweaving of colors and lines, the figure’s expression reveals the fluttering of the soul.
The posture of the figure resting the cheek on the hand, through moderate deformation processing, intensifies the emotions of contemplation and loneliness, becoming a concrete symbol of emotional expression.
Using a Cubism - like decomposition and reorganization, it showcases the multi - faceted nature of the soul.
There are flowers from old memories above and new leaves and buds below.
A cat in the back mountain licked its hair amid the overlapping memories. It had no idea why humans were so slow.
like a fruit produced by aggregating the most exquisite ingredients in nature.
Before the soul comes and after the soul leaves, a body is no different from anything else in nature. If you no longer miss.
The boats sank to the bottom of the lake one after another, but they did not become history. It once carried the young person over one wave after another.
The face is the language of flowers.
Sex is like that.
On the night of the return train, the woman sitting opposite me curled up and slept on her side, in a familiar defensive posture.
Life is an ambiguous sweet dream and nightmare.
The waves grow and dissipate quickly, grow and dissipate.
On the face of your favorite friend, you will see the wind, sand, and stars of your favorite hometown.
Choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.
Choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.
In the vast and lonely sea, a clear and pleasant warm current once flowed around me. Warm enough for a long time.
This painting contains the kernel of all the stories I would tell.
As I experienced the differences in my friends' lives, I also experienced the love they each built on their city lives.
The birds lead the fishermen out to sea and then bring them back. One trip back and forth is a year of the seabirds.
This is one of the appearances based on the appearance of my friend. When this painting was completed, I had no doubt that she had this appearance.
We know it is countless because someone has been counting.
If you are willing to understand it, you will find that this is one of the most effective ways of "love".
If you are willing to understand it, you will find that this is one of the most effective ways of "love".
If you are willing to understand it, you will find that this is one of the most effective ways of "love".
If you are willing to understand it, you will find that this is one of the most effective ways of "love".
The tiny red boat and the swimming figure create a dialogue field between the individual and nature within the vast rain curtain, conveying the Chinese cultural gene of “expressing emotions through landscapes” — nature is both a shelter and a carrier of spiritual resonance.
This is the era I live in and the path that our peers in the same situation must take.
In the painting, the background of interwoven blue and green resembles the flowing mist of the mountain forest, providing a hazy and tension - filled field for the main forms.
once to burn away my old love, once to burn away my old sorrow