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Disturbed by last week's rain

39 x 54 cm1200 $

This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.

 


The young body has a condensed beauty, like a fruit produced by aggregating the most exquisite ingredients in nature. As for the rain, it looks like it condenses to the extreme and then bursts out and spreads out.

 


Overall Size: /
Size without the frame: 39 x 54 cm
Country: China
Date: 2024
Materials: Acrylic paint on paper
Condition: well preserved

 

Creative themes and style |   My works revolve around the creative concept of  "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.

 

If you would like to collect this artwork or know more about the artist, please contact us.

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Disturbing Last Week’s Rain weaves a visual whisper about nature and emotions with intense colors and distorted forms. In the painting, the dark background, like a thick rain curtain, creates a hazy sense of dampness through the wet - on - wet technique, serving as the base color for emotions. Several withered leaves, with yellowish - brown as the main tone, depict wrinkles and mottles through color layering and brush - stroke texturing, as if they are the remains after being beaten by rain, telling the fragility and tenacity of nature.

 

The human body part on the right, with colors of pink, red, and white interweaving like flowing emotions, outlines a soft contour with curved lines but presents a distorted form. It forms a visual conflict with the hardness of the leaves and the gloominess of the background, conveying the dynamics of “disturbance” — as if the struggle or touch of the human body breaks the tranquility of the rain curtain. With Expressionism as the core, the creator abandons realism, using color collisions and form deformations to transform the moment of “rain being disturbed” into an eternal visual symbol.

 

Each stack of paint and each wandering of lines tells the interaction between nature and life: the tranquility of the rain, the withering of the leaves, and the disturbance of the human body together build a maze of time and emotions. This painting lets viewers feel the power of art’s emotional materialization in the color vortex. It makes people understand how, when “disturbance” goes beyond physical actions and becomes a symbol of the resonance between the soul and nature, painting uses fantastical forms to decode the deep connections between humans and nature, moments and eternity, completing a poetic collision about rain, life, and emotions.
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