This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.
The young body has a condensed beauty, like a fruit produced by aggregating the most exquisite ingredients in nature. As for the rain, it looks like it condenses to the extreme and then bursts out and spreads out.
Inches: x in
Size without the frame: 39 x 54 cm
Country: China
Date: 2024
Materials: Acrylic paint on paper
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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Overall Atmosphere
This painting unfolds like a visual whisper of disturbance and fragility, where nature and the human form are entangled in a moment of poetic tension. The darkened background, resembling a heavy curtain of rain, evokes a damp and unsettled atmosphere. Executed with a wet-on-wet technique, it becomes the emotional ground tone, suggesting melancholy, weight, and the residue of passing storms.
Depiction of Leaves
Scattered across the composition, the withered leaves in yellowish-brown hues are textured through layered colors and expressive brushwork. Their curling edges and mottled surfaces evoke both erosion and resilience—the dual nature of organic life after being battered by rain. These leaves embody nature’s fragility, yet also its persistence in the face of decay.
The Human Figure
On the right side, the female body, painted in interlacing tones of pink, red, and white, appears both sensual and distorted. Its curved outlines contrast sharply with the jagged forms of the leaves and the gloom of the background. This opposition creates a visual conflict: softness versus hardness, vitality versus withering, intimacy versus estrangement. The figure seems to intrude upon or emerge from the surrounding natural elements, embodying the essence of “disturbance.”
Expressionist Approach
Instead of pursuing realism, the artist employs an Expressionist vocabulary—using color collisions, exaggerated contours, and formal distortions—to transform a fleeting sensation (“rain being disturbed”) into an enduring visual symbol. The figure’s distortion and the restless interplay of color communicate an inner turbulence, emphasizing emotion over physical accuracy.
Symbolic Dialogue
Each stroke and tonal layering carries meaning: the tranquility of rain, the decay of leaves, and the disruption caused by the body form a symbolic triangle of time, nature, and human emotion. The painting demonstrates the emotional materialization of color, where hues and textures act not only as visual devices but as carriers of memory, tension, and desire.
Poetic Resonance
Ultimately, this painting suggests that “disturbance” extends beyond a mere physical act—it becomes a metaphor for the resonance between the soul and the natural world. Through fantastical, dreamlike forms, the work deciphers the deep connections between human vulnerability and natural transience, creating a poetic collision of rain, life, and emotion that lingers beyond the canvas.
Egon Schiele, Reclining Woman
Through distorted lines and raw colors, it conveys an intensity of psychological and bodily tension.
Marc Chagall, The Walk
With its dreamlike figures and lyrical colors, it embodies romantic surrealism and the intertwining of human and natural worlds.
Sanyu, Blue Star
Using economical brushstrokes and clear tonal contrasts, it presents a sense of poetic solitude and fragility.
Paul Klee, The Path to Paradise
With its abstract geometry and fluid color fields, it constructs a fantastical spiritual landscape.
The artist uses broad strokes of alternating warm and cool tones to sculpt the female body into a form that feels somewhere between sculpture and flowing water. The shifting colors enhance the body’s suppleness, creating a vision of “the human figure merging with nature.”
The dried-leaf and petal shapes encircling the figure’s back evoke both decaying natural forms and protective wings. They stand in contrast to the vibrant human body, suggesting a juxtaposition of “life and decay.”
The blue background conveys a sense of vastness and calm, while the flesh pinks and warm orange-red hues of the body highlight warmth and vitality. Together, these colors elevate the figure beyond mere representation—transforming it into a force of energy emerging from a deep environment.
It belongs to the category of “figurative and symbolic body painting.” By deconstructing human lines and exaggerating color, the artist conveys a humanistic meaning that transcends traditional realism. Such works are well-suited for private galleries and contemporary art exhibitions, creating an atmosphere where philosophy and emotion intertwine.
As a contemporary symbolist figurative oil painting, this piece presents a distinctive reflection on life’s vitality and nature’s metaphor, while showcasing a rare and personalized artistic language. Its value lies in being both a symbol of aesthetic and humanistic expression and a standalone highlight in an art investment collection. It’s especially fitting for collectors and institutions that emphasize spiritual depth in art.
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