Years Of Creation
ALL
The pose resembles a suspended dance gesture, yet it also conveys the weariness of a body folding under the weight of summer heat.
The textured blue areas are more than background—they act as strata of memory or scars, surrounding the figure with both protective and invasive qualities.
The work conveys a complex atmosphere of desire, warmth, and freedom
The square canvas intensifies the focus, creating a closeness between subject and viewer that feels unavoidable.
This is a painting built upon the grammar of impasto, structured by the interplay of cool and warm hues, and driven by rhythmic brushwork that shapes emotion.
Her fingers rest against her cheek, eyes half-closed—caught between summer drowsiness and moments of distracted thought.
The true focus is not the flowers themselves, but “the sediment of time within objects,” transforming a simple vase of flowers into an allegory of life.
Summer has surged into its blazing peak, yet traces of its ending have begun to appear.
Presents a creature wandering in a field of layered blues, balancing between tranquil vastness and subtle unease.
Sex is like that.
On the night of the return train, the woman sitting opposite me curled up and slept on her side, in a familiar defensive posture.
Life is an ambiguous sweet dream and nightmare.
The waves grow and dissipate quickly, grow and dissipate.
On the face of your favorite friend, you will see the wind, sand, and stars of your favorite hometown.
Choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.
Choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.
In the vast and lonely sea, a clear and pleasant warm current once flowed around me. Warm enough for a long time.
This painting contains the kernel of all the stories I would tell.
As I experienced the differences in my friends' lives, I also experienced the love they each built on their city lives.
The birds lead the fishermen out to sea and then bring them back. One trip back and forth is a year of the seabirds.
This is one of the appearances based on the appearance of my friend. When this painting was completed, I had no doubt that she had this appearance.
We know it is countless because someone has been counting.
If you are willing to understand it, you will find that this is one of the most effective ways of "love".
If you are willing to understand it, you will find that this is one of the most effective ways of "love".
If you are willing to understand it, you will find that this is one of the most effective ways of "love".
If you are willing to understand it, you will find that this is one of the most effective ways of "love".
The tiny red boat and the swimming figure create a dialogue field between the individual and nature within the vast rain curtain, conveying the Chinese cultural gene of “expressing emotions through landscapes” — nature is both a shelter and a carrier of spiritual resonance.
The red hair gradually transitions from light orange to dark red, and its naturally drooping form corresponds to the concrete act of “dyeing hair red”.
This is the era I live in and the path that our peers in the same situation must take.
In the painting, the background of interwoven blue and green resembles the flowing mist of the mountain forest, providing a hazy and tension - filled field for the main forms.
once to burn away my old love, once to burn away my old sorrow
This work Oh? constructs a visually charged puzzle through surreal form deconstruction and a unique color narrative.
Just like the potted flower seedlings, they were not cared for and grew into a natural, free and imperfect beauty.
Within everything that seems to be full of order, there is hidden the most natural and ambiguous interaction that belongs to this world.
Does that city have room for a few snowy mountains in their pockets?
So slow that it seems that every time the net is raised, it lifts up the past time of the entire harbor, just by the strength of the fisherman alone.
In the painting is the first tree flower I see in spring, and the eye is a flying swallow under the eaves of a house.
You will see his story in the future, maybe ten years later or even later.
Familiar things spoke for themselves through my hands, and I just impatiently asked myself to stop brushing quickly.
I was in the back seat, and the car drove for a long time. Along the way were scenes from her life.No more whispers in there.
Within the limited space, it constructs an intimate and profound channel for emotional exchange.
It represents a fusion of individual feeling and cosmic philosophy, offering a unique interpretation of the classic IP through the language of woodcut.
Different from the strictness of classical realism, it has an extra touch of spontaneous vividness.
Just like Monet's capture and reorganization of the instant light and color in the "Haystacks" series, it writes the temporal and spatial poetry of the pastoral with color.
The warm brown in the background is not a single flat lay, but incorporates subtle tones such as gray - purple and tea - yellow, laying the foundation for the “melancholy” mood and building the base color of the emotion.
In the act of viewing that breaks habits, actively explore the emotional context of the picture, twisting the “daily moment on the windowsill” into a surreal emotional wandering that requires focused experience.
However, the bright yellow in this work is more in line with the simplicity of rural children, lacking the strong spiritual tension of Van Gogh's style.
However, Anigoni tends to the rigor of classical realism, while this work uses modern partial interception to amplify the efficiency of emotional transmission, touching the viewer's heart with a fragmented modeling.
Instead, it uses the splicing of modeling to reflect the complex folds of the inner world, making the figure a visual carrier of the mental state.
The combination of humanity and light and color, and the indescribable life. In short, it has planted a lot in my life.
In this painting, the bright colors convey a joyful and relaxed mood.
In short, it has planted a lot in my life.
This Stone Village in Guishan uses implicit brushstrokes and gentle colors to render the quiet poetry of the mountain village.
Let the familiar creative scene generate a unique formal beauty due to the perspective transformation, and the ordinary daily life also has an artistic examination.
However, Frida mostly focuses on physical trauma and cultural symbols, while this work uses surreal elements to deeply explore the spiritual folds in the individual's heart, using the composition to lead the viewer to look directly at the dark corners of the figure's soul.