This painting was created in 2022. This year, the painting style changed sharply, from the usual low and harmonious gray colors to conflicting bright colors. At the same time, it raised a big question mark about life.
When you gaze at the face of a familiar person, you will find that she is becoming more and more different from usual, and gradually becoming unfamiliar. On the face of your favorite friend, you will see the wind, sand, and stars of your favorite hometown.
Inches: 74.8 x 82.7 in
Size without the frame: 190 cm x 210 cm
Country: China
Date: 2022
Materials: Oil paint on linen
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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abstract,artmodern art,abstract painting,landscape painting,acrylic painting.
Artwork Interpretation
The layered use of blue and flesh is not only a visual experiment but also a metaphor for multiple identities shaped by the forces of nature, cosmos, and time. Blue evokes the vastness of the sky and stars, while flesh tones bring the figure back to the human condition. Their fusion creates an imagery of human coexistence with the universe.
The eyes are rendered with striking clarity, as if they reflect another world. Within them one can perceive both refractions of light and hidden constellations, suggesting a projection of human interiority. This treatment turns the gaze into a bridge between the viewer and the painting, intensifying intimacy and resonance.
The background, marked by vortex-like motions and flowing textures, resembles both desert winds and the rotation of stars. This duality conveys the passage of time and the cycles of nature. The blending of the face with these textures emphasizes that humans are never separate from the cosmos but always enveloped in the embrace of nature and temporality.
Unlike a full-body or distant portrait, the close-up magnifies facial details and expressions, creating an immediate and intimate dialogue between subject and viewer. The enlarged scale heightens the emotional tension and adds philosophical weight—placing the individual on the same scale as the universe.
Borrowing imagery from both natural forces and cosmic vastness, the painting visually enacts the theme. Through color contrasts and swirling backgrounds, it reflects the idea that humans are as ephemeral as grains of sand in the cosmos, yet endowed with consciousness that renders each existence unique. The work invites contemplation on the fragile yet profound relationship between the self and the universe.
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