HomeProductsColor PaintingWind, sand and stars

Wind, sand and stars

190 x 210 cm5800 $

This painting was created in 2022. This year, the painting style changed sharply, from the usual low and harmonious gray colors to conflicting bright colors. At the same time, it raised a big question mark about life.

 

When you gaze at the face of a familiar person, you will find that she is becoming more and more different from usual, and gradually becoming unfamiliar. On the face of your favorite friend, you will see the wind, sand, and stars of your favorite hometown.

 


Inches: 74.8  x  82.7 in
Size without the frame: 190 cm x 210 cm
Country: China
Date: 2022
Materials: Oil paint on linen
Condition: well preserved

 

Creative themes and style |   My works revolve around the creative concept of  "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.

 

If you would like to collect this artwork or know more about the artist, please contact us.

abstract,artmodern art,abstract painting,landscape painting,acrylic painting.

canvas painting   portrait painting custom

 

Artwork Interpretation

 

This work, Stars in the Sandstorm, presents its artistic charm in a unique way. In the picture, the character's face is the visual core. The colors are like flowing light; the blue is like a calm lake spreading over the cheeks, and the red hair is like a burning flame. Different tones collide and blend, breaking the limitation of conventional skin color, making the character break free from ordinariness, as if carrying a mysterious power. In terms of composition, the character's face is tilted, and the gaze is directed upward in the picture, guiding the viewer's line of sight, as if communicating with the unknown. The mottled textures in the background, like the traces etched by sandstorms, echo the character, forming a relationship of "inside and outside" and "stillness and movement", expanding the spatial layers.

 

The use of color is bold and flexible. The interweaving of blue, red, yellow, etc. is not a simple smearing, but the embodiment of emotions. The calmness of blue and the enthusiasm of red mix to create a complex and charming atmosphere, just like the coexistence of joy and contemplation in life. The painting style tends to expressionism, without filtering emotions or pursuing realistic reproduction. It splashes out inner feelings through colors and brushstrokes, making the character vivid beyond reality. It seems that each color is a beating musical note, playing a unique movement of life.

 

The emotional expression is implicit yet strong. The character's eyes hide tenacity and longing. In the face of the "sandstorm" (the metaphor in the background), there is no cowardice. Instead, with color as armor, they embrace the dream like a star, conveying optimism - difficulties are the textures on the canvas, and as long as there is the courage of color, one can paint light. It is reminiscent of Francis Bacon's deformation and emotional impact, but Stars in the Sandstorm is lighter and more positive. It weaves hope with colors, like boiling suffering into paint, depicting the resilience and romance of life, reminding the viewer: even in the midst of sandstorms, one can look up at the stars and use color as a language to tell the love that never compromises.

 

Recommended Works with Similar Styles


  • Adrian Ghenie, Untitled (Head):Fragmented brushstrokes and color blending explore the spiritual dimension via distorted symbols.

  • Mao Yan, Portrait of Thomas:Delicate blending and subtle tones dig out characters’ inner emotions through realistic brushwork.

  • Anselm Kiefer, Mandala:Thick textures and symbolic colors build a philosophical metaphor space with symbols.

  • Zeng Fanzhi, Mask Series:Unique brushstrokes and color collisions reflect social psychological states via mask symbols.

  • Paul Klee, Twittering Machine:Lively lines and naive forms metaphor life rhythm through mechanical symbols.

  • Fang Lijun, Bald Head Series:Rough brushwork and strong contrasts reflect the era's mindset via repeated image symbols.

  • René Magritte, The Son of Man:Realistic forms and absurd symbols build visual puzzles with daily elements.

  • Liu Ye, Little Sailor:Flat colors and cartoon forms convey the blend of innocence and absurdity through child symbols.

Why does the face display a blend of blue and flesh tones?

The layered use of blue and flesh is not only a visual experiment but also a metaphor for multiple identities shaped by the forces of nature, cosmos, and time. Blue evokes the vastness of the sky and stars, while flesh tones bring the figure back to the human condition. Their fusion creates an imagery of human coexistence with the universe.

 

What is special about the depiction of the eyes?

The eyes are rendered with striking clarity, as if they reflect another world. Within them one can perceive both refractions of light and hidden constellations, suggesting a projection of human interiority. This treatment turns the gaze into a bridge between the viewer and the painting, intensifying intimacy and resonance.

 

What do the swirling, sand-like brushstrokes in the background signify?

The background, marked by vortex-like motions and flowing textures, resembles both desert winds and the rotation of stars. This duality conveys the passage of time and the cycles of nature. The blending of the face with these textures emphasizes that humans are never separate from the cosmos but always enveloped in the embrace of nature and temporality.

 

Why did the artist choose a close-up composition?

Unlike a full-body or distant portrait, the close-up magnifies facial details and expressions, creating an immediate and intimate dialogue between subject and viewer. The enlarged scale heightens the emotional tension and adds philosophical weight—placing the individual on the same scale as the universe.

 

How does this work correspond to the theme “Wind, Sand, and Stars”?

Borrowing imagery from both natural forces and cosmic vastness, the painting visually enacts the theme. Through color contrasts and swirling backgrounds, it reflects the idea that humans are as ephemeral as grains of sand in the cosmos, yet endowed with consciousness that renders each existence unique. The work invites contemplation on the fragile yet profound relationship between the self and the universe.

 

What should I pay attention to when buying an artwork or its derivatives?

A: Click here to view ARTPHILOSO's Guide for Collectors.

 

+86-18867739081linyumugewu@gmail.com