This painting was created in 2019. This year is the third year of college. I started to prepare for my graduation work, so I tried paintings with more concepts, depth and formal unity. In these paintings, you Being able to begin to see a more specific me. Such attempts did add weight to the work, but it was only a small step compared to the depth that would later come with the weight of life. Then came the COVID-19 epidemic at the end of the year, and the future that people expected changed its face, either urgently or slowly.
In this year's paintings, I began to store small pieces of trees inside, as if this year I am particularly concerned about nature and "Man and nature". This tree is my simplification of "nature" and myself.
Inches: 23.6 x 31.5 in
Size without the frame: 60 cm x 80 cm
Country: China
Date: 2019
Materials: Oil paint on linen
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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A1: The canvas preserves the natural texture of linen, with the subject’s hair and skin echoing its muted warmth. This subdued tonality creates an atmosphere of quiet serenity, as if the figure emerges organically from the fabric itself, carrying an aura of raw purity.
A2: The facial features are shaped with remarkable softness, especially the eyes, which convey a faint transparency—both steady and slightly elusive. In contrast to the simplified background, this subtle treatment draws the viewer’s full attention to her gaze and expression.
A3: The golden crescent pendant stands out against the restrained background as the painting’s most luminous detail. It evokes feminine mystery and inner resilience, while lending the work a touch of neo-classical refinement. Such a detail allows the piece to serve as a visual focal point within a study or an art space.
A4: The lower half of the painting is almost left blank, with the subject’s clothing dissolving into the background, as if fading into nothingness. This approach disrupts the conventional wholeness of portraiture, positioning the work at the threshold between realism and abstraction, and offering the viewer an open field for imagination.
A5: Linen-Hued Girl combines the minimalism of open space with the delicacy of portraiture. It embodies the freshness of contemporary oil painting while retaining the spirit of classical likeness. Such a work harmonizes effortlessly with modern interiors while serving as a striking centerpiece for private collections.
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