This painting was created in 2019. This year is the third year of college. I started to prepare for my graduation work, so I tried paintings with more concepts, depth and formal unity. In these paintings, you Being able to begin to see a more specific me. Such attempts did add weight to the work, but it was only a small step compared to the depth that would later come with the weight of life. Then came the COVID-19 epidemic at the end of the year, and the future that people expected changed its face, either urgently or slowly.
In this year's paintings, I began to store small pieces of trees inside, as if this year I am particularly concerned about nature and "Man and nature". This tree is my simplification of "nature" and myself.
Overall Size: /
Size without the frame: 70 cm x 90 cm
Country: China
Date: 2019
Materials: Oil paint on linen
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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Composition:
The figure's dynamic posture breaks conventional balance. The profile pose with a glance over the shoulder resembles Bonnard's poetic capture of fleeting moments, elevating a mundane fragment into an artistic tableau. Through a concise layout, it conveys rhythmic vitality, guiding viewers to follow the subject's gaze and explore the emotional undercurrents beneath the surface.
Color Application:
Set against a somber brown base, the purple garments emerge like mysterious patches of moonlight. Azure irises and crimson lips punctuate the palette, echoing Chagall's dreamlike hues. Stark chromatic contrasts construct atmosphere—dark tones evoke mystery while bright accents ignite vitality. As colors intertwine, the hazy romanticism of "Moonlight Fantasy" permeates the canvas, transforming pigment into the latent emotional framework.
Brushwork Technique:
Coarse and delicate strokes interlace. Expressive, unrestrained background brushstrokes evoke ambiance, while meticulous detailing of hair and drapery anchors the realistic foundation. Comparable to Schiele's portrayal of humanity and environment, the intentional variance in mark-making distinguishes dimensions of reality and reverie. This intensifies the ethereal ambiguity of "Moonlight Fantasy," allowing the work to oscillate between ruggedness and refinement, generating unique aesthetic tension.
Content & Theme:
Centering on "Moonlight Fantasy," the figure's playful gesture and enigmatic attire capture a youthful moment of reverie. Resonating with Frida Kahlo's candid emotional expression yet adopting a lighter narrative, it distills poetic radiance from daily life. This piece crystallizes adolescent fantasy and spiritual palpitations, articulating contemporary reverence for ephemeral romantic instants.
Emotional Expression:
A blend of vivacity and restraint. The subtle smile and gesture convey youthful playfulness, while the dim backdrop and mystical coloring veil emotion in fantasy. Within contemporary painting discourse, this work employs shadow as stage and color as spotlight, illuminating transient moments of youthful imagination. It perpetuates art's eternal pursuit of life's poetry—like a moonbeam piercing mundane triviality, illuminating the romantic corners of the soul, allowing viewers to reclaim the purity and beauty of reverie.
