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The intention to come melted

79 x 109 cm1200 $

This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.

The paint is light and thin, the brush strokes are quick and messy, and there is no scruple. Sex is like that.

Overall Size: /
Size without the frame:79 x 109 cm
Country: China
Date: 2024
Materials: Acrylic paint on paper
Condition: well preserved

Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.

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Reference view

Melted Intent uses the unique agility and transparency of watercolor to outline a highly evocative human figure imagery. In the painting, the form of the human body, through color blending and line outlining, shows a soft sense of boundary dissolution. Tones such as orange, yellow, and blue interweave, like the flow of emotions, echoing the imagery of “melting” — as if the originally clear “intent” is gradually dissolved and reconstructed in the blending of colors.

The creator employs expressionist techniques, weakening realistic details and emphasizing emotional conveyance. The curves of the human body and the transition of colors convey an inner softness and inclusiveness, as if all “intentions” let down their sharp edges in these gentle colors and merge into the atmosphere of the painting. The stacking and penetration of colors, using the wet - on - wet technique, create a hazy sense of hierarchy, making the “melting” process perceivable — from distinct to soft, from concrete to abstract, it is a visual gradient and, more importantly, an emotional transformation.

This painting abandons straightforward narration and instead, through the dialogue between colors and forms, tells a philosophy of acceptance and dissolution. Each blending of paint is a gentle deconstruction of “intent”; each wandering of a line weaves a new emotional thread. When viewing it, viewers can feel the power of art’s emotional materialization, and understand that when “intent” is melted, it does not disappear but merges into the flow of life and art in a more implicit and inclusive way. In the lightness of watercolor and the collision of colors, it touches the deep - seated acceptance and resonance of diverse emotions in the soul.

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For Yuhua

Yuhua is a female artist from Kunming. She is a good friend of mine. This is a painting I created for her when I decided to leave Kunming for a long time.

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