This painting was created in 2023. This year I was looking for a balance between life and desire while going out, and the work turned into lively small-size paper creations.
The "Problems of Flying" series was painted in my free time at work this year. After sweating profusely every day, cherish the remaining time to fly —— choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.
The problem of flying is the problem of freedom, but freedom is an abstract word that exists in the imagination, while flying is a concrete problem in practice——how to take off, which direction the wind is coming from, which sky it is in, how long you have enough physical strength to fly, constant adjustments attitude and when to land.
Inches: x in
Size without the frame: x cm
Country: China
Date: 2023
Materials: Acrylic paint on paper
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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I. Composition and Figure
In this painting, the female figure sits with an air of quiet elegance, her body slightly turned and her hands gently overlapping. The pose conveys both serenity and introspection, while her distant gaze suggests a state of contemplation. The refined gesture of her hands reflects a sense of restraint and inner poise, qualities often emphasized in Eastern aesthetics. The figure seems suspended in thought, evoking a dialogue with the theme of “flying,” not as a physical action but as a state of mind and spirit.
II. Color and Atmosphere
The blue-green background, rendered with layered washes, recalls the diffusion of ink in traditional Chinese painting. This gradient functions as both sky and void, carrying the viewer’s imagination into open, limitless space. It creates an atmosphere of lightness and transparency, reinforcing the painting’s association with flight. The delicate blending of tones in the figure’s clothing further erases the boundary between the physical world and the realm of thought, aligning with the principle of emptiness and substance in Chinese aesthetics.
III. Symbolism of “Flying”
Here, “flying” transcends its literal meaning. It resonates with the Daoist notion of “Xiaoyao You” (carefree wandering), which emphasizes spiritual freedom and liberation. The figure’s expression and posture suggest both hesitation and courage—an inner preparation to embark on a journey beyond worldly constraints. In this sense, the work embodies a distinctly Eastern reflection on transcendence, where flight is less about outward spectacle and more about the soul’s departure from boundaries into freedom.
IV. Cultural Resonance
The painting demonstrates how art can communicate profound truths through simplicity. By adopting minimal yet evocative brushstrokes, the artist continues the Chinese tradition of expressing complexity through simplicity. Within this restrained approach lies a deeply cultural anticipation of flight—not the dazzling display of wings in motion, but the subtle moment when the spirit itself rises. In this way, the work conveys an enduring Eastern philosophy of freedom and transcendence, rooted in the interplay of emptiness, form, and inner vision.
I. Mary Cassatt, Young Girl
Soft color harmonies and lyrical treatment of the figure convey youthful innocence through delicate brushwork.
II. Tsuguharu Foujita, Nude with Cat
Hazy tonalities and an atmosphere of quietude evoke mystery and symbolic resonance.
III. Marc Chagall, The Lovers
Dreamlike colors and romantic imagery express emotional bonds through surrealist symbolism.
IV. Sanyu, Nude with Crossed Legs
Simplified lines and understated palettes emphasize feminine grace, merging abstraction with intimacy.
The composition employs a broad blue-green background, while the figure’s skin is highlighted with pink and pale yellow washes. This contrast of cool and warm tones makes the face and hands appear brighter and more luminous.
The elongated lines of the shoulders and fingers give the figure a sense of lightness and instability, as if in a state of flight or floating. This deliberate distortion reinforces the metaphorical theme of the work.
The background is rendered not through realism, but with flowing blue-green color fields. The hair and shoulders of the figure subtly blend into the background at the edges, making her both stand out from the canvas and appear enveloped by its waves of motion.
It carries traits of both contemporary female portraiture and dreamlike expressionism. The work is especially fitting for exhibitions exploring “the boundary between body and spirit”, as well as for thematic showcases of “female perspective in art.”
The painting’s dreamlike palette and semi-abstract portrayal of the figure give it the qualities of surrealist female art. It is suitable for display in museum sections dedicated to “contemporary painting and psychological symbolism,” and equally fitting for private collectors, where it can be placed in a bedroom or contemplative space as a centerpiece for atmosphere and aesthetic refinement.
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