Disturb2

70 x 90 cm2380 $

This painting was created in 2019. This year is the third year of college. I started to prepare for my graduation work, so I tried paintings with more concepts, depth and formal unity. In these paintings, you Being able to begin to see a more specific me. Such attempts did add weight to the work, but it was only a small step compared to the depth that would later come with the weight of life. Then came the COVID-19 epidemic at the end of the year, and the future that people expected changed its face, either urgently or slowly.

 

The people and natural objects in the painting form a stable order. Only then can we stabilize our sight and face the inner turmoil.

 


Overall Size: /
Size without the frame: 70 cm x 90 cm
Country: China
Date: 2019
Materials: Oil paint on linen
Condition: well preserved

 

Creative themes and style |   My works revolve around the creative concept of  "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.

 

If you would like to collect this artwork or know more about the artist, please contact us.

   

 

Disturbance weaves a philosophical visual narrative with a unique artistic language. In terms of composition, the juxtaposition of the real figure and the illusory shadow breaks the boundaries of time and space. It seems to be inspired by Magritte's surreal composition, creating a visual paradox with "dual images", guiding viewers to ponder the connection between reality and illusion, the present and the past, and constructing a profound spiritual field with a simple layout.

 

The use of color is restrained and full of metaphors. The cold gray main tone creates an alienated atmosphere, and the pink of the figure's earrings becomes a glimmer that pierces the dullness. Similar to how colors in Anselm Kiefer's works carry history and spirit, it conveys emotions through color contrast. The collision between cold and warm implies the individual's struggle between reality and memory, making color a hidden line of emotion.

 

The brushwork technique combines delicacy and roughness. The depiction of the real figure's hair and clothing patterns is precise, anchoring the foundation of realism; the loose brushstrokes of the illusory shadow and the background add a hazy texture. It can be compared to Alberto Giacometti's presentation of existence and nothingness in his paintings. By using differences in brushwork to distinguish between reality and the spiritual dimension, it strengthens the chaos and speculation of "disturbance".

 

In terms of content and theme, focusing on "disturbance", through the symbiosis of reality and illusion, it explores the dialogue between the individual and the self, the present and the past. It coincides with Frida Kahlo's exploration of self - identity, yet with a more implicit dual image, it excavates the folds of memory in the heart, an artistic decoding of the complexity of the individual's spiritual world, writing a survival fable of contemporary people in the gap between reality and spirit.

 

In terms of emotional expression, it is restrained and profound. The quiet posture of the real figure and the silent outline of the illusory shadow convey lonely self - reflection and the entanglement of memory. The cold gray tone is like a filter of memory, and the pink earrings are like sparks of hope. Between the interweaving of reality and illusion, it tells the pain and thinking of the individual being pulled by reality and the past. In the context of contemporary painting, with a unique perspective, it inquires into self - existence, continuing art's eternal gaze at the depth of human nature, like a prism, reflecting the spiritual spectrum of the individual in the "disturbing" world.
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