This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.
It is a painting in dark tones and relatively large in size. Due to these two reasons, the shooting of the work became a big problem, and the final visual effect presented on the screen was not good, but the original work still met my expectations. Among this year's creations, there should not be many emotionally depressing works. I have gradually left the depressive and dignified way of expression. The main reason is that I need to face my own paintings for a long time in my creation. In the past two years, I have gradually become less able to bear such continuous emotional depression. But as far as works are concerned, depressed mood often contain more precious human content, and they carry the weight of human souls. This I think has been accomplished in this painting.
Overall Size: /
Size without the frame: 190 x 210 cm
Country: China
Date: 2024
Materials: Acrylic paint on linen
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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This work Greeting constructs a profound spiritual field with a somber and tension - filled visual language. The creator employs the painting logic of Expressionism, using thick oil paints and mottled colors to place the figure in a space full of metaphors. The long black hair, like a curtain of emotions, partially covers the face, conveying mystery and alienation; the red clothing, like a burning symbol, yet hides a touch of softness in the floral patterns, forming a conflict and reconciliation of color semantics. The circular object in the hand seems to be a medium of communication, a carrier of greeting, echoing the net - like structure in the background, implying the complexity of interpersonal connections — both longing to penetrate the barriers and being trapped in the entangled shackles. Through the distortion of forms and the collision of colors, the painting decodes the multiple dimensions of “greeting”: it is an active attempt, a passive stalemate, and more importantly, the hidden appeal for connection in the lonely field of the soul. Here, art transcends the visual surface, and in the way of emotional materialization, allows viewers to touch the desires and struggles deep in human nature, and experience the complex unspoken emotions behind “greeting”, completing a profound interrogation of interpersonal emotions at the boundary between realism and abstraction.
When we assume that “greeting” is a bright and warm interaction, Greeting digs out the cracks in human nature with dark tones. Those net - like structures are not background decorations, but “emotional thorns” thrown to viewers by the creator — each entangled line questions: Do you dare to admit that the so - called “greeting” is nothing but a struggle to pierce the cocoon of loneliness? The brightness of the red clothing becomes irony, like a forced enthusiasm, wobbling in the shadow of the long black hair; the circular object in the hand, rather than a token of greeting, is a shackle that traps the self, reflecting the awkwardness of our repeated hesitation between “speaking up or not”. The creator’s deliberately blurred facial contours are even an “anti - empathy” experiment: refusing to let viewers easily capture emotions, forcing us to face the cowardice in interpersonal connections — we sing praises of the warmth of greetings, yet in this painting, we stumble upon the abyss of loneliness behind greetings, which even ourselves dare not look directly at. This “uncomfortable” creation tears open the decent surface of social etiquette, breaking “greeting” from a warm symbol into a thorny scalpel that reveals the truth of human nature, making us re - examine the weight of “greeting” and the essence of loneliness in the sting of art.