Lose

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This painting was created in 2018. With the end of the sketching class this year, my sketching journey stopped at a few simple drawings for Miss Hui. Of course, my oil painting skills have also improved a lot in the past year or so, and I have carefully explored my own way of speaking.

 


Overall Size: /
Size without the frame: /
Country: China
Date: 2018
Materials: Oil paint on linen
Condition: well preserved

 

Creative themes and style |   My works revolve around the creative concept of  "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.

 

If you would like to collect this artwork or know more about the artist, please contact us.

Artphiloso living room wall art

 

Artwork Interpretation

 

Loss focuses on the individual in youth, weaving a subtle and touching emotional web through delicate painting language. In terms of form, the figure's outline and the folds of the clothing are shaped with soft brushstrokes, abandoning sharp lines. It is similar to the capture of the gentle temperament of women in Pan Yuliang’s portraits. However, it adds more of the unique thinness and sensitivity of youth, hiding the “loss” mood in the relaxed forms of the limbs and clothing.

 

The composition is simply focused, with the figure at the core of the picture. The hazy green background is like a light fog, creating a private sense of inward gaze. It can be compared to the Oriental implicitness in Tsuguharu Foujita’s portraits, abandoning complicated scenes. Letting the viewer’s gaze lock on the figure and the leaf, in the minimalist layout, the folds of emotions are magnified—the leaf in the hand seems to be the concretization of loss, becoming an emotional anchor connecting the inner world and the outside.

 

In terms of color, a low - saturation green is used as the base. The purity of the white shirt and the fresh green of the leaf form a blend of cold and warm. Similar to Claude Monet’s subtle handling of light, shadow, and color in the Water Lilies series, in the soft rendering, it conveys the warmth of time and the dull pain of emotions. The light gray changes of the white shirt match the layers of the figure’s inner world, integrating the complexity of “loss” into the restrained dialogue of colors.

 

The brushwork is gentle and has a sense of breath. The thin - coating technique makes the colors blend like morning fog, and the folds of the clothing slowly spread with the brushstrokes, as if copying the ripples of moods. Like the delicate capture of texture in Valentin Serov’s paintings, but more inclined to the lightness of youth narration. It transforms pigments into carriers of emotions, with each trace telling the melancholy moments in growth, making the static portrait flow with the breath of youth.

 

In terms of content and theme, under the name of “loss”, it anchors the dialogue between the individual in youth and the leaf—the freshness of the leaf and the quietness of the figure imply the transience of beauty and the pains of growth. The emotional expression is hidden in the eyebrows, eyes, and gestures. The posture of lowering the eyes and the hands holding the leaf convey the unique confusion and reluctance of youth. It is the silent chewing of minor losses by an individual in the torrent of years, evoking the viewer’s empathetic recollection of the moods of youth.

 

Recommended works with similar styles

 

Pan Yuliang’s Self - Portrait, which depicts the inner world of women with gentle brushstrokes; 

Tsuguharu Foujita’s Nude with Cat, which tells emotional stories with Oriental implicitness; 

Valentin Serov’s Girl with Peaches, which conveys the texture of youth with soft colors.

 

Q1: Why does the figure lower her head in the painting?

A1: The downcast gaze and restrained posture convey introspection and emotional withdrawal. She appears immersed in an inner sense of loss, unwilling to meet the outside world’s eyes.

 

Q2: What is the symbolic meaning of the green leaf in her hand?

A2: The green leaf represents life, hope, and fragility. She holds it gently, as if afraid of losing it. This gesture reinforces the theme of Loss—the longing to hold onto something that is already slipping away.

 

Q3: Why was white clothing chosen as the central element?

A3: The loose, plain white garment symbolizes both purity and solitude, while also creating a sense of “emptiness” that mirrors her hollow emotions. The whiteness draws the viewer’s attention more sharply to her expression and the leaf in her hands.

 

Q4: Why does the background use blurred green tones?

A4: The background offers no defined setting, only hazy washes of green. This green extends the symbolism of the leaf, alluding to nature and hope, yet its blurred treatment suggests uncertainty—like the figure’s unclear sense of the future.

 

Q5: What is the emotional core of the painting?

A5: The essence of Loss is “tender sorrow.” The figure is not dramatic or hysterical, but quietly and inwardly expresses a sense of absence. Within her silence, viewers can feel an unspoken vulnerability and poetic melancholy.

 

What should I pay attention to when buying an artwork or its derivatives?

A: Click here to view ARTPHILOSO's Guide for Collectors.

 

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