Pink cloud escaping from backpack

780 $

This painting was created in 2019. This year is the third year of college. I started to prepare for my graduation work, so I tried paintings with more concepts, depth and formal unity. In these paintings, you Being able to begin to see a more specific me. Such attempts did add weight to the work, but it was only a small step compared to the depth that would later come with the weight of life. Then came the COVID-19 epidemic at the end of the year, and the future that people expected changed its face, either urgently or slowly.

A period of time, a life scene, a space. We are all used to storing something inside.

Overall Size: /
Size without the frame: /
Country: China
Date: 2019
Materials: Oil paint on linen
Condition: well preserved

Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.

If you would like to collect this artwork or know more about the artist, please contact us.

Reference view

Pink Cloud Escaping the Backpack takes a corner of an interior as the stage on the canvas, constructing a visual field full of metaphors. In terms of composition, it abandons the regular order, and scatters elements such as wardrobes, tables, chairs, and mirrors naturally. It is similar to the free layout of Matisse's early interior paintings, but lacks the strong conflicts of Fauvism and has more relaxation of life flow. The items seem to be placed at will, but actually follow the trajectory of the line of sight implicitly, guiding the viewer to explore the emotions in the folds of the space.

Color is a gentle narrator. The walls and furniture intertwined with pink and beige create a private and ambiguous atmosphere, like the rendering of indoor light and color in Bonnard's paintings, but it strips away the complex light and shadow and approaches contemporary daily life with purer tones. And the most eye-catching "pink cloud" in the picture is like a spark of emotion, tearing a gap in the soft background color, just like those surreal color blocks in Chagall's paintings, injecting fantasy into the ordinary.

The brushwork has a spontaneous vividness. It doesn't deliberately pursue delicate realism. The thickness of the paint alternates, forming a simple texture on the surface of the wardrobe. The brushstrokes on the chair and tabletop are light and flexible, with the leisurely touch when Vuillard depicts daily objects, but with more random expression of contemporary art, allowing the objects to break free from the constraints of "faithful reproduction" and become carriers of emotions.

The content and theme focus on the spiritual breakthrough of ordinary daily life. The cluttered shoes, the standing mirror, and the half-open book are the concrete manifestations of the inertia of life, while the "pink cloud escaping the backpack" is the key transcodification—it breaks the dull order, just like the occasional image interference in Richter's paintings, transforming the daily space into a poetic battlefield, exploring the tug-of-war between the ordinary and the escape, the reality and the transcendence.

The emotional expression is hidden in the folds of details. The soft color is the warm background, and the "escape" of the pink cloud is a gentle rebellion against the ordinary, just like the private disclosure of personal emotions in Kitaj's works, allowing the viewer to touch the hidden soul throbbing that longs to break free from trivialities in the familiar indoor scene, completing a poetic decoding of the daily space.

Lose1

780 $

The makeup of desire 8

In the lower part of the picture, the intertwined and twisted dark branches and lines are like the shackles of reality and the chaotic jungle of the spirit.

60 x 60 cm1200 $

year of the seabird(Haixi)

Does that city have room for a few snowy mountains in their pockets?

1500 $

Symptoms of loneliness in spring 1

In the picture, the mountains and sky are presented through color layering. The blending of colors such as blue, purple, and green creates a hazy yet powerful atmospheric rendering, as if leading viewers into a dream - like alternate dimension.

60 x 60 cm1200 $

Those eternal vows over and over again4

Nothing that comes out of this comes from my decision.

43 x 101.5 cm1200 $