The night when everything resonates

160 x 200 cm 3300 $

This painting was created in 2019. This year is the third year of college. I started to prepare for my graduation work, so I tried paintings with more concepts, depth and formal unity. In these paintings, you Being able to begin to see a more specific me. Such attempts did add weight to the work, but it was only a small step compared to the depth that would later come with the weight of life. Then came the COVID-19 epidemic at the end of the year, and the future that people expected changed its face, either urgently or slowly.

Overall Size: /
Size without the frame: 160 x 210 cm
Country: China
Date: 2019
Materials: Oil paint on linen
Condition: well preserved

Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.

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Reference view

In terms of composition, the twin figures and the abstract background are juxtaposed, breaking the reality order. Similar to Chagall's poetic reconstruction of space, the figures are embedded in a fantastical field. By using symmetry and dislocation to create visual tension, it guides viewers to step into the gap between reality and imagination, exploring the spiritual coordinate of "resonance".

The use of color is bold and delicate. The vivid green clothes light up the picture, colliding with the purple, yellow, and gray in the background. It seems to draw on Bonnard's subjective use of colors, abandoning natural realism, and using high - saturation color blocks to convey emotions. The vitality of green, the mystery of purple, and the warmth of yellow interweave, constructing an emotional spectrum of all things resonating, making color a bridge connecting the soul and the world.

The brushwork technique combines realism and expressiveness. The precise depiction of the figures' clothing patterns and expressions anchors the realistic texture. The spontaneous smearing of the abstract forms in the background adds a dreamy haziness. It can be compared to Egon Schiele's depiction of humanity and the environment. By using differences in brushwork to distinguish between real individuals and the surreal context, it strengthens the cross - dimensional connection of "resonance", making the picture wander between reality and illusion, generating a unique aesthetic tension.

In terms of content and theme, centering on "all things resonating", the twin figures are like self - mirrors, or individuals from parallel worlds. The abstract symbols in the background are like fragments of nature and the soul, coinciding with Frida Kahlo's exploration of the relationship between self and the universe. However, with a more lightweight surreal language, it interprets the resonant coexistence between the individual and the world, self and others, a poetic decoding of life's connections.

In terms of emotional expression, it is gentle and profound. The figures' drooping eyebrows and smiling expressions convey tranquil empathy; the illusory colors and flowing forms in the background seem to visualize the harmonic sound of the world's resonance. In the context of contemporary painting, this painting, with a surreal mirror, reflects the spiritual resonance between the individual and all things, continuing art's eternal inquiry into life's connections. Like a night light, it illuminates the hidden channel of resonance between the soul and the world, allowing viewers to listen to the harmony of souls in the illusions.

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