Original
Derivatives
Years Of Creation
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This acrylic painting constructs a highly evocative spiritual scene. The large expanse of dark brushstrokes at the top resembles a surging tide of the spirit.
The picture takes rich dark blue as the main tone, and the whirlpool - like brushstrokes build a vast and mysterious space, like the starry river of the universe or a deep dream, capturing the viewer's sight. The warm - toned halo area in the center is the spiritual focal point.
In the lower part of the picture, the intertwined and twisted dark branches and lines are like the shackles of reality and the chaotic jungle of the spirit.
In the artwork, the dark, vertically - elongated forms resemble giant tree trunks or unknown passages.
The blue-to-purple gradient in the hair and the color washes on the shoulders transform the human form into a vessel for emotion.
Mood and Tone: Isolated, restrained, yet charged with hidden tension. The viewer is drawn in by the red yet distanced by the facelessness, producing a psychological push-and-pull.
At its heart, the work suggests that the body becomes a receptor of light and perception. The blank face signals not absence but anonymity and universality. In this sense, the painting transforms the figure into a vessel of heightened emotion, where presence is expressed precisely through what is withheld.
Mood and Rhythm: The painting balances serenity and desire. The cool, misty blues suggest calm detachment, while the red dress radiates intensity.
The work employs color and texture as its primary language of veiled perception.
Mood and Tone: Bold, restless, and full of energy. The red dress is no longer isolated but the center of a color storm. The viewer feels not just detachment, but immersion and impact.
The boats sank to the bottom of the lake one after another, but they did not become history. It once carried the young person over one wave after another.
Large fields of coral and orange-red generate a temperature of flesh, while the fingertips flash with ultramarine, violet, and lemon yellow, mimicking the glisten of sweat and light.
The work transforms “scratching” from a fleeting gesture into a sustained tactile duration, leading the viewer to drift between skin and nerve.
The work communicates a fragile balance of tenderness and unease. The viewer is invited into a private emotional space yet remains aware of the guarded boundaries.
The painting constantly shifts between exposure and disguise. The mask-like white patterns evoke stage makeup, while the anatomical rib lines gesture toward raw corporeality.
The pose resembles a suspended dance gesture, yet it also conveys the weariness of a body folding under the weight of summer heat.
Choose what to eat tonight, what speed and posture to walk on the road, and count the days to meet friends and lovers.
This painting contains the kernel of all the stories I would tell.
once to burn away my old love, once to burn away my old sorrow
Within everything that seems to be full of order, there is hidden the most natural and ambiguous interaction that belongs to this world.
Does that city have room for a few snowy mountains in their pockets?
You will see his story in the future, maybe ten years later or even later.
Familiar things spoke for themselves through my hands, and I just impatiently asked myself to stop brushing quickly.
I was in the back seat, and the car drove for a long time. Along the way were scenes from her life.No more whispers in there.
It represents a fusion of individual feeling and cosmic philosophy, offering a unique interpretation of the classic IP through the language of woodcut.
Different from the strictness of classical realism, it has an extra touch of spontaneous vividness.
Instead, it uses the splicing of modeling to reflect the complex folds of the inner world, making the figure a visual carrier of the mental state.
In this painting, the bright colors convey a joyful and relaxed mood.
The folds of the clothes naturally extend with the body posture, weakening distinct edges and blending hazily with the background.
Just as the charm of the night lies in providing a resting corner for the tired soul, allowing viewers to empathize with the tenderness and loneliness when alone in this small world.
They use a naive and simple formal language to break free from the rigid norms of the adult world and restore a purely fairy - tale visual perception.
The rich tones of the lining cloth contrast with the soft skin tones of the figures, adding a sense of life.
Different from the all - inclusive nature of classical full - factor sketches, it emphasizes the instantaneity of “quick sketch of form and spirit”.
Silence becomes a necessary coat in a dank place.
Silence becomes a necessary coat in a dank place.
like the growth of lightning, like the growth of vine leaf veins.
The growth of emotions and love is like the growth of an embryo
The painting is painted with thin colors and is completed in one go.
Only then can we stabilize our sight and face the inner turmoil.
The people and natural objects in the painting form a stable order.
The profile pose with a glance over the shoulder resembles Bonnard's poetic capture of fleeting moments, elevating a mundane fragment into an artistic tableau.
What is recorded is a short dialogue between Xing'an Mountains, reindeer and people.
"The Pursuer's Fantasy" employs surreal brushwork to construct a fantastical and uncanny psychic realm.
The "passing of time" does not have any special meaning or emotion in the same scene day after day.
A piece of birch wood drifted here in the distant past. Come again, with a long story.
The monumental crab carapace functions as a kind of interdimensional vessel, distorting conventional notions of scale and reality.