The abandoned bustling wind was disturbed2

39 x 54 cm780 $

This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.

A typhoon passed through and there were intermittent strong winds and heavy rain for several days. Typhoon is the temperament of nature. The quarrels and threats of human beings, the manic roar of machines, the passing of time on the pointer, the crying and laughing of new life, the crying and laughing of death... The human voice becomes dead silence in front of the natural voice. At this time, people will suddenly hear the voice in their own hearts, feel lonely, and are frightened and helpless.

Overall Size: /
Size without the frame: 39 x 54 cm
Country: China
Date: 2024
Materials: Acrylic paint on paper
Condition: well preserved

Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.

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Reference view

Abandoned Wind is an intimate conversation with time and tenderness. In the painting, the half - wilted flower takes center stage. The warmth of sun - dried rays is hidden in the folds of its petals, and the blend of red and pink seems to softly chant the tenacity of life. The yellow cloth is like a fragment of an old dream; the folds stirred by the wind are like ellipses written by years. The flower, cloth, and hazy background together build a nostalgic space. Yet, the word “abandoned” endows this static scene with dynamic tension — is it the flower’s persistence that stirs the wind, or is it the wind’s wandering that awakens the flower’s past?

Here, colors become guides of emotions. The collision between the warm - hued flower, the yellow cloth, and the cool - toned background creates both visual tension and a wonderful reconciliation. The flower’s vividness doesn’t wither due to the staleness of the environment; instead, half - hidden, it becomes even more charmingly moving. This is a profound annotation of “beauty”: True vividness isn’t afraid of being wrapped in vicissitudes, just as the wonders of life, even if gently covered by the cloth of years, can pierce through dimness and bloom with a faint light. The flowing folds of the cloth are the footprints of the wind and the extension of artistic imagination. It makes viewers understand that although the wind is invisible, it can be perceived through the trembling of the cloth and the posture of the flower. Art is just like this, transforming the abstract “wind” and “abandoned” into touchable visual whispers.

This painting reveals the grand through the small, conveying the cherish for the forgotten beauties by means of a flower, a cloth, and a wind by the window. It inspires us: The romance in life is often hidden in neglected corners — when the flower meets the wind, and when colors interweave with old objects, ordinary scenes are sublimated into a theater of time. “Abandoned” is not an end but a gentle awakening, awakening our perception of the fading rhythms and our cherish for every stubborn bloom in life. In this painting, art becomes a bridge connecting forgetting and remembering, making us understand that even the most common scenery by the window, as long as we gaze at it with our hearts, can make us hear the whispers of the wind and the flower and see the romance, once abandoned and then retrieved, full of the warmth of life.

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