This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.
A typhoon passed through and there were intermittent strong winds and heavy rain for several days. Typhoon is the temperament of nature. The quarrels and threats of human beings, the manic roar of machines, the passing of time on the pointer, the crying and laughing of new life, the crying and laughing of death... The human voice becomes dead silence in front of the natural voice. At this time, people will suddenly hear the voice in their own hearts, feel lonely, and are frightened and helpless.
Inches: x in
Size without the frame: 39 x 54 cm
Country: China
Date: 2024
Materials: Acrylic paint on paper
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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The deep oranges and magentas of the flowers appear intense and heavy, while the blue and gray-white background resembles a wind-blown curtain. Together, they create a dramatic clash of warm and cool tones.
The curled edges of the petals and speckled color marks convey a texture of both decay and splendor, like an aged rose that has endured storms yet still persists.
The flowers and the flowing background respond to each other, as if swept onto a stage of the past. They feel both isolated and integrated, creating the paradoxical imagery of “fallen grandeur.”
It belongs to the extension of symbolic still life painting, infused with the expressive color tension of Expressionism. It is particularly well-suited for curated exhibitions, especially sections exploring memory, time, and the aesthetics of decay.
The painting combines the qualities of figurative floral painting and symbolist still life art, making it especially appealing for private collections or for museums seeking to create contemplative atmospheres. Its unique color language and symbolic depth give it rare significance in the field of contemporary still life collecting.
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More paintings from this series:
The abandoned bustling wind was disturbed 2
The abandoned bustling wind was disturbed 3