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The abandoned bustling wind was disturbed1

39 x 54 cm780 $

This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.

A typhoon passed through and there were intermittent strong winds and heavy rain for several days. Typhoon is the temperament of nature. The quarrels and threats of human beings, the manic roar of machines, the passing of time on the pointer, the crying and laughing of new life, the crying and laughing of death... The human voice becomes dead silence in front of the natural voice. At this time, people will suddenly hear the voice in their own hearts, feel lonely, and are frightened and helpless.

Overall Size: /
Size without the frame: 39 x 54 cm
Country: China
Date: 2024
Materials: Acrylic paint on paper
Condition: well preserved

Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.

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Reference view

Disturbing the Wind is a visual private whisper about delicate perception and gentle resonance. In the painting, the blooming flower takes the central position. The warmth of time is hidden in the folds of its petals, and the blending of red and orange seems to tell of the fervor of life. A light curtain dances with the wind, like the ripples of a blue dream. The flower, the curtain, and the window frame together weave a quiet space. Yet, the very word “disturbing” endows this static scene with dynamic tension — is it the flower’s vivid brightness that disturbs the wind, or is it the wind’s gentle caress that awakens the poetry of the flower?

Here, colors are the translators of emotions. The collision between the warm - hued flower and the cool - toned curtain and window frame not only creates visual tension but also achieves a wonderful balance. The flower’s vividness is not dimmed by the curtain’s haziness; instead, half - hidden and half - revealed, it becomes even more charmingly moving. This is a unique interpretation of “beauty”: true vivid brightness is not afraid of being wrapped in haziness, just as the wonders of life, even if gently covered by the curtain of years, can penetrate obstacles and bloom brightly. The flowing lines of the curtain are the trail of the wind and also the extension of artistic imagination. It makes viewers understand that although the wind is invisible, it can be perceived through the fluttering of the curtain and the posture of the flower. Art is just like this, transforming the abstract “wind” and “disturbing” into touchable visual verses.

This painting reveals the grand through the small, conveying the cherish for the subtle beauties in daily life by means of a flower, a curtain, and a wind by the window. It inspires us: The romance in life is often hidden in neglected moments — when the flower meets the wind, when colors interweave with light and shadow, ordinary scenes are sublimated into poetic theaters. “Disturbing” is not destruction but a gentle awakening, awakening our perception of the rhythms of nature and our cherish for every light touch in life. In this painting, art becomes a bridge connecting the ordinary and the poetic, making us understand that even the most common scenery by the window, as long as we gaze at it with our hearts, can make us hear the private whispers of the wind and the flower and see the romance, full of the warmth of life, that is disturbed into being.