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Night Flight

1200 $

This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.

This is a triptych depicting three weather conditions, sunny, windy, and heavy rain. The combination of the words "flight" and "night" carries an uneasy feeling, a sense that a dream is about to lose its way. I use the brightest colors to paint my flowers to achieve such a conflicting effect, and the brightest colors also mean the beginning of death. They are willing to get lost in the night sky, because this is when life keeps blooming and flying. No decay to be seen, no sorrow.

Overall Size: /
Size without the frame: /
Country: China
Date: 2024
Materials: Acrylic paint on paper
Condition: well preserved

Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.

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Reference view

Night Voyage insists on breaking free from the rigid cage of “flower still lifes”. The creator transforms the flower branches into tentacles of the night, allowing the flowers to spread in irregular postures and breaking the inertia of symmetrical composition, as if to say: The romance of nature should be unrestrained growth. The blue of the background is like a flowing night sea, and the moon and clouds become casual punctuation marks. The haziness created by the wet - on - wet technique is a gentle embrace for “regular aesthetics” — don't fear chaos, for this is the unique order of the night.

Those flower branches stretching beyond the canvas are not out of control; they are invitations from the creator, urging us to jump out of the fixed pattern of appreciating “perfect flowers”. The astringency from color collisions is an impromptu ensemble of blue and pink in the night. The visual jump created by color juxtaposition rescues “romance” from sweetness, restoring it to the real and vivid feeling of the sea breeze carrying the fragrance of flowers during a night voyage.

This painting uses the freedom of Expressionism as a sail, carrying viewers to a “new shore of aesthetics”. By deliberately blurring the boundaries of regularity, it wants us to see: The optimism of art lies in embracing “imperfection”. When the flower branches stretch willfully and colors collide boldly, what we encounter is not chaos, but a carnival of nature and creation dancing together — the romance of a night voyage is never a disciplined journey, but a passionate bloom in chaos. It is art’s eternal tribute to “wild beauty”, forcing us to let down our guard and embrace this vibrant poetry that grows wildly in the night.