This painting was created in 2024. The colors of this year are still bright but not dazzling. I have gradually found a balance point among the bright colors.
There were originally two characters in this painting, but the relationship between the characters was never properly arranged, resulting in a cumbersome picture. I simply cut out an inconspicuous person to make the picture clearer and neater. Changing the content of the painting would bring more new problems, but I decided to stop there. At the same time, this is not my decision.
Overall Size: 49 x 109 cm
Size without the frame: 43 x 101.5 cm
Country: China
Date: 2024
Materials: Acrylic paint on paper
Condition: well preserved
Creative themes and style | My works revolve around the creative concept of "The land of humanity, People on the land". The people in the painting are people in nature, and the lines, shapes, and colors are close to nature. The nature in the painting is nature in the eyes of humans, existing in interaction with humans.I don’t pursue a series of works with a fixed and continuous style. I hope that the style of the pictures will synchronize with the changes in my life and always remain oscillating. The performance of the work must be in sync with the development of one's own life in order to be Sincere and powerful. Ideas are later.
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This work Those Eternal Vows, Over and Over Again weaves a polyphonic narrative of emotions and memories with the agile rhythm of watercolor. Abandoning the rigidity of realism, the creator, through Expressionist brushstrokes, transforms colors into vessels of emotions — the blue - purple hair tangles like thoughts, the yellow - orange face burns like memories, and the red - green background flows like an undercurrent of feelings. Via the natural blending of the wet - on - wet technique, colors break free from the constraints of outlines, constructing a fluid emotional field in their intermingling and permeation. In the painting, the distortion and overlapping of forms are not signs of chaos, but a poetic deconstruction of “eternal vows”: as vows repeatedly interrogate through time, the complexity of human nature and the folds of emotions emerge in the vortex of colors. Those seemingly random lines and color blocks are, in fact, the creator’s visual translation of “eternity” and “repetition”, allowing viewers to feel the persistence and confusion behind the vows in the tremor of colors. Here, art transcends concrete depiction. With the approach of color semiotics, it converts abstract emotional experiences into perceivable visual language, leading us to re - examine the weight of vows and the resilience of memories in the mistiness of watercolor, and to appreciate art’s profound gaze into the essence of human emotions.
When we’re used to measuring paintings with the ruler of “beauty”, Those Eternal Vows, Over and Over Again insists on cracking open the cracks — those colors spilling beyond the outlines aren’t “loss of control”, but a rebellion against “perfect vows”. The blue - purple hair deliberately overflows the boundaries, like the escaping aftertaste of vows spoken; the mottled color blocks on the face are the traces of “forever” being gnawed by reality. The creator even leaves “mistakes” of paint drips in the background, throwing the “indiscipline” of creation to the viewers: Look, vows should be spiky sparks jumping in chaos, not framed discipline. The transparency of watercolor is a pretense; it’s actually peddling a scam about “imperfect eternity” — making us think we can grasp the form of vows, only to be dragged by the quicksand of colors into questioning “repetition”: Is it the vows that trap us, or do we insist on putting eternal shackles on vows? This “anti - refinement” creation forces us to shred the inherent imagination of “vow narratives”, and in the loss of control of colors, stumble upon the reluctance - to - admit awkwardness and truth about commitment in our souls.
